Spring has arrived in the Bay. And the Green Witch is not interested in doing what spring usually does.

No pastels-on-a-table. No daffodils-in-a-mason-jar. That's spring on autopilot. Project: Tropic Bay is spring with the volume turned all the way up — the kind that makes you stop in the doorway and forget what you came in for.

The Concept

Tropic Bay takes the lushness of tropical botanicals — the drama, the scale, the unapologetic color — and collides it with the moody, fog-kissed energy of San Francisco spring. Think bird of paradise arching through clouds of jasmine. Think monstera leaves the size of dinner plates sheltering ranunculus so perfect they look painted. Think arrangements that feel like they grew themselves overnight in some impossible greenhouse on the edge of the Pacific.

Every piece in this collection is engineered to do one thing: stop you dead. Not politely. Not subtly. The kind of arrangement that rewrites the energy of a room the moment it crosses the threshold.

What I'm Conjuring

• Tropical foliage — monstera, palm fronds, banana leaf — architecture that commands attention
• Jewel-toned blooms — deep coral ranunculus, golden protea, electric blue thistle
• Trailing elements — jasmine vine, string of pearls, cascading ferns that spill like a secret
• Unexpected pairings — bird of paradise next to garden roses, anthurium beside delicate sweet pea
• Sculptural vessels — each arrangement placed in something that becomes part of the spell

This isn't floristry. This is climate fiction in a vase. A Bay Area spring reimagined through the lens of somewhere wilder, warmer, and completely unrestrained.

Only 13 arrangements leave the studio each week. When they're spoken for, the books close. No waitlist. That's the practice.

Spring came. The Green Witch answered. Your move.

— Brandon Joseph
The Green Witch of Nob Hill